Turning the first page bangs the door shut so thunderously the noise surely might rouse her. “ THE most rascally dragon” has just fallen asleep, and loud page swishes and other cacophony could waken her. I don't think you can live with the Dothraki with that kind of attitude for very long without coming to some kind of harm.Careful with those page turns. It probably would have happened another way, if it he hadn't rashly walked in drunk. And I think it probably needed to be done. HBO: Do you think she's better off without him? Even if you do have an abusive parent or brother, there's definitely an attachment there because you don't know anything else. And I think there were definitely very tough times for her with him, but I think there must have been times when he sat down and told her these stories of Westeros. He brought her up pretty much since birth. There were things we haven't seen in the series. HARRY LLOYD: Yeah, I think she'll miss him. HBO: Will Daenerys miss her brother at all? But, in the take they used, you suddenly see how kind of pathetic he is. In that scene with Mormont, I'd never planned to make it very vulnerable I just tried to do a really good job of covering it up. and that's why he does so many of the things he does. From the very start, I felt that the whole way through the story he's just terrified and can't let on. These are his deepest secrets, his actual fears, and he wouldn't show that to Mormont.
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HARRY LLOYD: When I first read that scene, I wasn't sure how to do it at all. HBO: But this episode's scene with Jorah, where Viserys tries to steal the eggs, is the most vulnerable we've seen him. It's not like he's running around talking about the council, and things are a bit unclear. All 40,000 men and their horses too, if that's what it took." After that, you know exactly where this guy's coming from. That line in the pilot when he quietly says to her, "I'd let his whole tribe f**k you. I just had to try not to enjoy them too much and play the smiling villain all the time. When I was doing them, these lines were gifts. HARRY LLOYD: There are so many bits and moments that people say, "Oh, I love that line." And I've got to admit, I love them too. HBO: Speaking of liberating, you had some great, evil lines throughout the season, any favorites? It can't be some sort of half-assed whimpering - you've got to really believe the pain and the fear. I'm gonna absolutely try and get out of this, so don't let me.' Then, you let it rip.
You talk to the two actors holding you and say, ‘Let's not pansy around here. So you just have to kind of give it everything. HARRY LLOYD: I've never had to die on camera before, let alone in such a grisly way. HBO: What goes through your mind when that molten gold hits the top of your head? Once your arm is broken and you're down on the ground, how many different ways can you scream for your life? Then you know that you've just got to give everything you have. When you've got to scream and shout, it's pretty straightforward comparatively. I had to stagger around the hotel for a couple days before we shot it and worked out my drunken walking. Drunk acting can be horrible to watch, if it's too pantomime. HARRY LLOYD: I thought a lot about the drunkenness of it.
HBO: How did you get ready for Viserys' violent "crowning" scene? Harry Lloyd, who plays Viserys Targaryen, has coped with this by tapping into the ancient power of … Rationalization. It’s not easy being a bad guy, especially an abusive, incestuous, entitled young king who’s been booted from his own realm.
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